Solstice Vespers Service

This service, hosted by Worship Associates Rima Synder and Judith Martin-Straw, will honor solstice traditions across cultures and through the ages. We will mark the longest night of the year with rituals of chant, candle lighting and sacred silence – embracing the dark and celebrating the return of light.

Please also join us for an informal welcoming reception before the service, at 6:00 pm in Angeline Forbes Hall, next to the sanctuary.

Date / Time: 
Wednesday, December 18, 2013 - 7:00pm - 7:30pm
Room: 
Contact Name: 
Rima Snyder

"The Turning of the Year"

Theme: 
Joy
Sunday, December 29, 2013 - 11:00am
Rev. Jim Grant

One service only at 11:00 a.m.
Services at 9am and 11am resume on the first Sunday in January

UUSM’s tower bell will ring out the old and ring in the new with Guest Minister Jim Grant, an affiliate minister from the First Unitarian Universalist Church of San Diego. Rev. Grant will preach on “What do you mean by ‘worship’?” On Sunday mornings, Unitarians celebrate our lives, our values and our hopes. Although we might not all worship “God” during this time, we approach our worship with reverence.

"All is Calm, All is Bright" - Christmas Eve Candlelight Services

Theme: 
Joy
Tuesday, December 24, 2013 - 6:00pm
DeReau K. Farrar, Catherine Farmer Loya and Rev. Rebecca Benefiel Bijur

UUSM welcomes all as we gather for candlelight services on Christmas Eve. At 6:00 pm, Music Director DeReau K. Farrar will conduct the adult choir in presenting Chrsitmas music from several cultures. At 8:00, Mr. Farrar and UUSM soloists will sing the Christmas music of Bach.

Minister Rebecca Benefiel Bijur will deliver a message evoking the spirit of the season at these moving services of candlelight and song. 

If you would like to be a reader at a Christmas Eve service, please contact Rev. Rebecca at minister@uusm.org.

NEW! Festive Family-Friendly Christmas Eve

Theme: 
Joy
Tuesday, December 24, 2013 - 3:00pm
Catherine Farmer Loya and Rev. Rebecca Benefiel Bijur

Forming a new tradition, UUSM Director of Religious Education Catherine Farmer Loya and Minister Rebecca Benefiel Bijur invite families to this informal and fun afternoon service. Children will rejoice with holiday music from Music Director DeReau K. Farrar and friends, plus a sing-along of old favorites.

Early Unitarians promoted the Christmas tree as the symbol of the shared family Christmas, along with the values of love, generosity and the kindly nurture of children. Young visitors may bring an ornament to donate to our community tree, and will take away an ornament to cherish at home.

Las Posadas Pageant / 20th Anniversary Friendly Beasts Celebration

Theme: 
Joy
Sunday, December 22, 2013
Catherine Farmer Loya and Rev. Rebecca Benefiel Bijur

Audience participation makes this rollicking portrayal of the Christmas story so different. UUSM borrows from the Latino tradition of Las Posadas to retrace the journey of the Holy Family and the birth of Baby Jesus. On-the-spot volunteers from the audience, young and old, will “improvise” the pageant’s key roles and, of course, raise the star on high. 

UUSM Minister Rebecca Benefiel Bijur and Catherine Farmer Loya, Director of Religious Education, will coordinate the fun and deliver the morning message: Treasure the promise that the coming of each new life and each new journey brings. 

At the conclusion of the service, we will celebrate the 20th annual arrival of the Friendly Beasts, a beloved tradition of UUSM children. Friendly Beasts from years past (and perhaps their children) will join today’s youngest church members in song.

Solstice Vespers

Theme: 
Joy
Wednesday, December 18, 2013 - 6:00pm
Rima Snyder

This service, hosted by Worship Associates Rima Synder and Judith Martin-Straw, will honor solstice traditions across cultures and through the ages. We will mark the longest night of the year with readings rituals of chant, candle lighting and sacred silence – embracing the dark and celebrating the return of light.

Please also join us for an informal welcoming reception before the service, at 6:00 pm in Angeline Forbes Hall, next to the sanctuary.

Chalice Lightings: 

Beach Glass   by Amy Clampitt

While you walk the water's edge, 
turning over concepts
 I can't envision, the honking buoy 
serves notice that at any time 
the wind may change, 
the reef-bell clatters 
its treble monotone, deaf as Cassandra 
to any note but warning. The ocean,
cumbered by no business more urgent
 than keeping open old accounts 
that never balanced, 
goes on shuffling its millenniums
of quartz, granite, and basalt.

It behaves 
toward the permutations of novelty--
driftwood and shipwreck, last night's 
beer cans, spilt oil, the coughed-up 
residue of plastic -- with random 
impartiality, playing catch or tag 
or touch - last like a terrier, 
turning the same thing over and over,
 over and over. For the ocean, nothing 
is beneath consideration.

The houses
of so many mussels and periwinkles 
have been abandoned here, it's hopeless 
to know which to salvage. Instead 
I keep a lookout for beach glass--
amber of Budweiser, chrysoprase
of Almadén and Gallo, lapis
 by way of (no getting around it, 
I'm afraid) Phillips' 
Milk of Magnesia, with now and then a rare 
translucent turquoise or blurred amethyst
 of no known origin.

The process 
goes on forever: they came from sand, 
they go back to gravel, 
along with the treasuries
of Murano, the buttressed astonishments of Chartres, 
which even now are readying 
for being turned over and over as gravely
 and gradually as an intellect 
engaged in the hazardous redefinition of structures 
no one has yet looked at.

 

Sermon Text: 

Opening Words
from Black Elk Speaks  (by Black Elk)

Everything the Power of the World does is in a circle.  The Sky is round and I have heard that the Earth is round like a ball and so are all the stars. The Wind, in its greatest power, whirls. Birds make their nests in circles , the Sun comes forth and goes down again in a circle. The Moon does the same and both are round. Even the seasons are a great circle in their changing, and always come back to where they were.

Welcome to this celebration of the winter solstice. We have gathered here together in this space, set apart from the world, to contemplate the cycle of time and the seasons, and the cycles of our lives.

Those before us viewed time as cyclical, not linear.  The past and future were seen as secondary and embedded in a luminous Now. That realm, that luminous timelessness and the deep connection with the natural world that produces it, is the very basis of magic, and everything around us is imbued with it if we are only able to perceive it.  Magic is a way of engaging with the world, not of imposing your will upon it, but of dancing with it.

Please join us in reading aloud the prayer by Starhawk in the hymnal, number 524.

Earth mother, star mother,
You who are called by
a thousand names,
May all remember
we are cells in your body
and dance together.

You are the grain and the loaf
that sustains us each day,
And as you are patient
with our struggles to learn
So shall we be patient
with ourselves and each other.
We are radiant light
and sacred dark - the balance-
You are the embrace that heartens
And the freedom beyond fear.

Within you we are born,
we grow, live and die-
You bring us around the circle to rebirth,
Within us you dance
Forever.

Winter leads inevitably to spring, summer to fall in a spiraling pattern that is always changing, and always the same.  In the natural world, the spiral is seen everywhere: in the unfurling bud of a new rose, the whorled lines of a seashell, even in the great spiral arms of galaxies.  The spiral image appears in the sacred art of many cultures.  Native American shamanic tradition holds concentric circles to be “passageways between the natural and supernatural world”,  and mandalas are sacred symbols used for meditation in Eastern religions, which often use spiral motifs.

In pagan belief, a spiral symbolizes change and recurrence, the endless pattern of birth, growth, death and rebirth, the waxing and waning of energy. 

In her book The Spiral Dance, Starhawk says:

The turning of the Wheel of time is a circle, as the year is a circular journey we make around the sun. We begin in the dark of the year, when present, past and future meet. The Child of the Year is conceived as the spirit of possibility, offering us a new beginning.

On the winter solstice the child of promise awakens within us, reminding us that we can be more than we are. The sun-child is the embodiment of innocence and joy, of a childlike delight in all things.

The Unitarian anthropologist Ashley Montagu writes in his book "Growing Young" that the habit of thinking in terms of stages of development leads us to the false belief that we must leave each stage behind as we grow older. In fact, he says, growth is a continuous process. We are designed not to grow out of but to continue to grow with the traits that we develop early in life.

He says "we are designed always to remain in a state of development, a prolonged childhood in which the gaining of knowledge continues throughout life and the sense of wonder at life is not lost."

Montagu lists several qualities that children possess, including curiosity, wonder, imagination, creativity and empathy. He says that this empathy should be extended toward the whole of nature, to inanimate nature as well as to other living creatures. For this, he says that children are especially suited; "Children are natural animists, for they endow all things with living qualities." This is essentially the magical world view, that the universe is a living thing and that everything is interconnected.

Unitarian author and poet e.e. cummings understood the magical innocence of children and often captured it in his writing. Look at the lovely poem written out on your handout, which describes the mystical world seen through the eyes of two children

2 little whos
(he and she)
under are this
wonderful tree

smiling stand
(all realms of where
and when beyond)
now and here

(far from a grown
–up i & you–
ful world of kn
own)
who and who

(2 little ams
and over them this
aflame with dreams
incredible is)

And Starhawk says:

The  energy of the universe is in constant motion, changing and forever changeless. Energy flows in spirals, its motion is circular, cyclical, wavelike. This spiral motion is revealed in the shape of galaxies, seashells, whirlpools and the structure of DNA molecules.  Sound and light travel in waves, and waves themselves are spirals seen in a flat plane.

The moon waxes and wanes, drawing the tides with it.  We also are drawn by the forces of nature that surround us, whether or not we fully realize it.

As we come to the end of another year, the time of waning light that precedes another beginning, take time to consider where you are in your own life's unfolding pattern.  At this point in the service you are invited to come forward to light a candle and place it in the bowl of ocean water on the altar. You may want to light your candle in honor of something that has sustained you through this past year, or to mark the light of a new beginning.  Celebrate the child within you that still sees the mystery and wonder of life.

Reading

To the New Year  by W.S. Merwin

With what stillness at last you appear in the valley,
your first sunlight reaching down to touch
the tips of a few high leaves that do not stir,
as though they had not noticed,
and did not know you at all.

Then, the voice of a dove calls
from far away in itself
to the hush of the morning.

So this is the sound of you
here and now, whether or not
anyone hears it. This is
where we have come with our age,
our knowledge, such as it is,
and our hopes, such as they are,
invisible before us,
untouched and still possible.           

Closing Words

May the Light of Your Soul Guide You  by John O'Donohue

May the light of your soul guide you.
May the light of your soul bless the work
you do with the secret love and warmth of your heart.
May you see in what you do, the beauty of your own soul.
May the sacredness of your work bring healing, light and renewal to those
who work with you, and to those who see and receive your work.
May your work never weary you;
May it release within you wellsprings of refreshment, inspiration and excitement.
May you be present in what you do.
May you never become lost in the bland absences.
May the day never burden you.
May dawn find you awake and alert, approaching your new day with dreams,
possibilities and promises.
May evening find you gracious and fulfilled.
May you go into the night blessed, sheltered and protected.
May your soul calm, console and renew you.
       

 

"Dark Matter"

Theme: 
Joy
Sunday, December 15, 2013
Rev. Rebecca Benefiel Bijur

"Surprised by Joy"

Theme: 
Joy
Sunday, December 8, 2013
Rev. Rebecca Benefiel Bijur

CLUE Meeting - Celebration with a Vision: Santa Monica as a Union Hotel City

Celebration with a Vision: Santa Monica as a Union Hotel City, Wednesday, January 15, 6 pm at UUCCSM

Join hotel workers, community leaders, and people of faith as we celebrate recent victories in establishing living wages and labor peace as a community standard in Santa Monica hotels. Our work began almost 20 years ago with Santa Monicans Allied for Responsible Tourism (SMART), which laid the groundwork for current agreements with OTO hotels and other developers in Santa Monica. As we prepare for the next phase of our work for justice, we will come together on Wednesday, January 15 to celebrate, sing, and gain inspiration. Program at 6 pm in the sanctuary, dinner at 7 pm in Forbes Hall. 

 

Date / Time: 
Wednesday, January 15, 2014 - 6:00pm - 9:00pm
Contact Name: 
Abby Arnold

November, 2013

Making Connections Through the Zimbabwe Artists' Project

The Unitarian Universalist Community Church of Santa Monica presents 

Making Connections Through the Zimbabwe Artists Project - An Art Exhibit 
 
Opening Reception: Sunday, November 3, 2013 from 12:00 - 1:30pm 
Open every Sunday in November from 9:00am – 1:00pm 
 
The Zimbabwe Artists Project (ZAP) aims to strengthen self-sufficiency and deepen cultural  understanding by promoting women artists from rural Weya in Eastern Zimbabwe and selling  their work to art lovers in the U.S. Based in Portland, Oregon, ZAP’s goal is that through this  partnership the women will become economically self-sufficient. 
 
Most of the artists are single mothers or widows providing for their families by farming and  creating art.  Typically, the men from that region, leave to seek work in nearby cities. Income  from agriculture is very unpredictable and limited. The funds raised from art sales help the  women buy food, clothing, medication, seeds and fertilizer. 
 
In addition to providing financial support through the purchase artwork, ZAP provides health  care and educational services to the families and children who have been orphaned. 
 
The artwork addresses issues of gender, colonialism and globalization. Through learning the  personal stories as told by the artists, the hope is that viewers discover a connection with these  strong, talented and accomplished African women. 
 
We thought you might enjoy reading some of the original stories connected to the art that will  be on display throughout the month of November on the Forbes Hall Art Wall masterfully  curated by the very dedicated, long-time UUCCSM member Beverly Alison. 
 
VILLAGE LIFE 
By BEAUTY MUGADZA 
Board painting B3651 
 
Mrs. Charanga is coming from fetching firewood. Chenai is coming from fetching firewood. Mrs. Chenai is washing  clothes. Mrs. Honda and Mrs. Marugu are pounding rapoko (millet). Mrs. Rwanda is playing with the baby. Mrs. Chirara is cooking sadza. Mr. Tawengwa is carving a stick for porridge, and a table. Mrs. Saruwa is sweeping the yard. Mrs. Zambara is weeding vegetables. Mrs. Maruta is serving rapoko. Tapiwa is playing with the ball. Mrs. Chigogo is grinding rapoko. 
 
ARTIST BIO: 
Beauty was born in 1969. She has three teenage children. She learned to paint in 1988. “I paint because it helps me  with house costs: soap, school fees for children and other household expenses. I got married with a man who  wasn’t formally trained (as a builder) and who isn’t regularly employed. I need to help the family.” “I want  Americans to know that I am a woman who works hard. I would like to see what women in other countries do –  are they hardworking like me? I am proud that my children go to school properly dressed and they have enough to  eat because of my hard work.” Her favorite subjects include village life and weddings.
 
 
 
BIRDS OF AFRICA
By VERONICA CHITSIKE 
Fabric painting S 3392
 
One saddle-billed stork is drinking water while the other one is standing in the water. They are  found in Africa. (S 3392) 
 
ARTSIT BIO: 
Veronica was born in 1959. She came to Weya in 1982 as the second wife of her husband. She has three children,  ages 9 to 19. She learned how to create art in 1988. She felt it was a thing she could do as a woman, and she  needed money. “I am a full-time housewife who looks after children, fetches firewood, does plowing, herds cattle and takes them to the dipping tank. I have quite a lot of work.” She has time for her artwork during the rainy season only on weekends, with more time available during the dry season. Her favorite topics are wild animals (“baboons who live here in this place”) and village life.  
 
 
 
 
 
 
EVERYDAY LIFE 
By SARUDZAI SHONGE 
Applique A 3118
 
Waual, here is the exact fruit tree which I was looking for, the muzhange (Uapaca kirkiana) tree,” said Mrs. 
Mungure. “Are we going to pick-up some mushrooms first or fetch some firewood,” asked Mrs. Jowa sitting on a  stone. “I think we will fetch the firewood first and the mushrooms later,” replied Mrs. Shonge. “My children are 
about to come back from school so let me prepare lunch for them,” said Mrs. Chakwenya. Mrs. Paradza is carrying  her bundle of firewood on her head and is going home. (A 3118) 
 
ARTIST BIO: 
Sarudzai was born in 1972, the youngest of eight children. She attended school through the equivalent of 10th grade after which family financial constraints kept her from going further. She was married four years after  leaving school and has three children. She lives with her husband and children in Gokwe in central Zimbabwe. Sarudzai learned to do appliqué from her sister, Orpah Mungure, in 1990. She makes art to help with family expenses. Her favorite topics include lovers, village life and “at the market.”
 
Update, December 2013:  
To the Congregation: This is a tribute to the Website Committee of our church using a recent happening as inspiration. The committee worked hard to include the Zimbabwe art show pieces in the monthly presentation on our new website. It was seen by the editor of a widely read spiritual newsletter in the state of Washington who contacted our church in order to use one of the images featuring a village working together to benefit their way of life. The art committee sought the OK from the Zimbabwe artist, got it, and the circle was complete: Artists in Africa reaching out to Unitarian Universalists reaching out to the wider world and successfully connecting with cooperation, respect and peace. Thank you, Website Committee!
Beverly Alison
 
Exhibit Information:
 
Admission is free 
 
Open to the Public: 
Sundays in November from 9AM - 1 PM 
Opening Reception: Sunday, November 3, 2013 at 12:00 - 1:30 
Meet the Executive Director of the Zimbabwe Artists Project. Light refreshments. 
Closing Reception: Sunday, November 27, 2013 at 12:00 - 1:30 
 
Open by appointment: 
Monday through Thursday: 10am-5pm 
Fridays: 10am-1pm. 
Contact: Nancy assistant@uusm.org, 310-829-5436, ext. 102 
 
Unitarian Universalist Community Church of Santa Monica 
1260 18th  St, Santa Monica 90404 (corner of 18th  and Arizona) 
Sunday parking in structure on 16th  Street south of Arizona Ave.